Author Archives: Linhof Studio
Lee Filters Fujifilm GF23mm Adapter
Lee Filters have introduced a new adapter to their 100mm range for the Fujifilm GF23mm Lens
BERGGER Prestige Warm Tone Paper
Porto 2014. Copyright Aurélien LE DUC
BERGGER Prestige Warm Tone Paper 3 types of warm tone papers coated on a double-weight base (280 gsm). They deliver outstanding prints. They are able to produce both soft picture, and a hard grade picture, due to the incorporated sensitizers (blue and red sensitizers) in the emulsion. Using multigrade filters, grades from 0 to 5 can be achieved by half grade steps. It belongs to the family of chlorobromide papers, therefore, DMax is very high. Continue reading
Rodenstock Filters Overview
Modern taking lenses produce sharp, high-contrast, true-color and distortion-free photographs. However, if ambient light is too bright for a low depth of field (e.g. for a high aperture) or for intentional motion blur (e.g. for a slow shutter speed), not even the best lens can help. It is no different if UV radiation falsifies colors and reduces contrast or if shiny surfaces produce irritating reflections. Or if colors are not converted into gray values in black and white images, on film or digitally, as the photographer actually wanted. Only filters can solve this problem.
However, the quality differences are huge
If you have spent a lot of money for a good lens, you do not want to run the risk of image quality losses due to inferior filters. For the filter is just as much a part of the optical beam path as the lens elements.
This Rodenstock filters overview explains the benefits of owning such a filter.
Optical glass and perfect surface
Light rays must remain parallel after passing through the filter, to prevent the possibility of blur and loss of contrast, the direction of outgoing light must remain exactly parallel to that of incoming light at all points. All Rodenstock filters therefore have a very flat slimline frame. In order to allow a screw thread for fastening a lens hood or a protective cap, the glass is only 1.4mm thick. Continue reading
Hasselblad X1D-50c Special Promotion
Hasselblad X1D-50c Special Promotion
Hasselblad are offering a limited time promotion for all purchases of an X1D-50c (Silver).
Copal Shutter No 0
Copal Shutter No 0
All Rodenstock digital lenses are available in Copal shutter size 0.
This mechanically controlled central shutter is outstanding for its compact design, lightness and robustness. Continue reading
LEE Filters IRND ProGlass Exposure Guide App
LEE Filters IRND ProGlass Exposure Guide App
LEE Filters have produced a new app to accompany the ProGlass IRND range, making it easy to calculate the precise exposure when using any of the filters.
The LEE Filters ProGlass IRND Exposure Guide is an app designed for fluid and precise operation in the field, with a full range of shutter speeds in 1/3 stop increments and all the controls right under your thumb. Continue reading
Rodenstock Apo-Macro-Sironar-Digital 120mm
Rodenstock Apo-Macro-Sironar-Digital 120mm
Both lens series Apo-Sironar digital and Apo-Macro-Sironar digital (the latter is optimized for large scales) provide large image circles and leave enough space for camera movement. Continue reading
Rodenstock Apo-Sironar-Digital 150mm
Rodenstock Apo-Sironar-Digital 150mm
Both lens series Apo-Sironar digital and Apo-Macro-Sironar digital (the latter is optimized for large scales) provide large image circles and leave enough space for camera movement. Continue reading
Rodenstock Apo-Sironar-digital 135mm
Rodenstock Apo-Sironar-digital 135mm
Both lens series Apo-Sironar digital and Apo-Macro-Sironar digital (the latter is optimized for large scales) provide large image circles and leave enough space for camera movement. Continue reading